Try to get work experience by writing to local production companies and asking if they offer any. Keep an eye out for work experience opportunities at the BBC, ITV, Channel 4, Channel 5, Sky and the PACT Indie Diversity Training Scheme. If you want one, h ave a look at ScreenSkills’ list of recommended courses and select one in unscripted TV or search for ‘film and television production’. We recognise courses with our ScreenSkills Select award where they offer training in the relevant software, dedicated time to building a portfolio and have strong links with the unscripted TV industry. You don’t have to have a degree to get into this role. Volunteer to help with the lighting at any events or local amateur theatrical productions.
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Check out What’s an apprenticeship? to learn more about apprenticeships and find an apprenticeship to learn how to find one in your region, or approach companies directly. Go to ScreenSkills information on apprenticeships for the main apprenticeship schemes in television. This will give you skills that you can transfer into television at a later point.
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If you can’t find an apprenticeship for this role within the TV industry, it’s It’s well worth getting yourself one that will give you a qualification as a domestic or commercial electrician or as a creative industry technician theatre or live events. EAL Diploma/Advanced Diploma in Electrical InstallationĪn apprenticeship is a job with training, so it’s a great opportunity to earn as you learn.City & Guilds Advanced Technical Diploma in Electrical Installation.
BTEC Diploma/Extended Diploma in Electrical and Electronic Engineering.If you want to go straight into a job or apprenticeship, the following Level 3 vocational qualifications will equip you: You can take A-levels or Highers in photography, art, film studies or IT. You might also transfer into the industry after working with lighting in theatre, events or photography. You might start off as a kit room assistant before progressing to a role as a lighting console operator or a spark, or in the camera department. Lighting director is a senior role, so you’ll need experience working with lights on a set first. Health and safety: have a strong understanding of how to work safely, including knowledge of health and safety laws, be able to work at heightsĪs well as communicating with the producer, director and production designer, lighting directors work closely with the camera department and directly with lighting console operators, senior electricians and sparks.Communication: be able to understand the director and producer’s creative vision and use strong leadership skills to communicate this to other staff.Organisation: plan the staff and resources, work with precision and have a keen eye for detail.
Then they create a plan (plot) detailing how the set or shots will be lit to create the right effect. They also collaborate with the production designer to ensure the set is built to incorporate their designs and technical requirements. They liaise with the producer and director to understand the mood and style they want to achieve. Lighting directors tend to work on multi-camera productions. In studio shows, lighting is integral to set design. On outside broadcast they might be lighting a cathedral, a theatre or a rock concert, then they could be using an existing lighting rig or they might build a completely new one. They use a variety of lighting and effects to focus attention on the action and enhance or reduce colour, sharpness, softness and form. Lighting directors create the colour, texture and mood of a TV show, turning two-dimensional sets into 3D theatrical spaces.
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